Often we specialise in pet photography because we relate to animals better than people, am-I-right? There will inevitably come a time when you do need to photograph your furry subject's humans though. Knowing what to say, how to pose (and when not to) and what settings to use is vital info that you won't find anywhere else.
When including owners in the shot, put them at ease by asking them to interact with their dog. My favourite dog and owner images are natural, candid captures of belly rubs, kisses and paw shakes.
Rather than asking people to look at the camera and smile (a great way of getting that stunned mullet expression 🐟) this is a much better method of easing into dog and owner photos during a session. Interacting with their dogs gets people relaxed and often laughing at their dog's funny and cute antics - and we all know laughter makes the best smiles!
Canon 1D-X, Canon 24-70mm f2.8L II @ 55mm, ISO 500, 1/640 sec, f2.8
An alternative pose for dogs and owners, putting little dogs on laps can sometimes help to keep them calm and still. People don’t always like their faces to feature in photos, but are happy for their body to be out of focus in the background. This is a good way of keeping both dog and owner happy!
Canon EOS 1D X Mark II, Canon EF 24-70mm f/2.8L II @ 35mm, ISO 1600, 1/640 sec, f/2.8
In my pre-session questionnaire, I ask if people wish to be in some of the photos with their pets. I make it pretty clear I’m not a family photographer, but I always invite people to jump in for a few shots but make it clear their pets will be the focus of the images.
The exact question I ask is: “Would you like to be in some photos?” and the multiple choice answers are:
1. Definitely do not want to appear in any photos
2. Would be happy to appear in the background or not as the main focus of the photos
3. Would like you to capture some candid moments with my pets
4. Would like a few posed portraits of me and my pets
Sometimes people even choose a couple of options - which is super helpful! This gives me an idea before the session of what to expect, and when I meet them I can start thinking about how best to incorporate them into some shots with their pets. I always check with them on the day too, just in case they’ve changed their mind since they completed the questionnaire!
Can anyone guess which category from the four options this image falls into?
Canon EOS 1D X, Canon EF 24-70mm f/2.8L II @ 38mm, ISO 1600, 1/500 sec, f/2.8
Getting down to the level of the dog applies when both photographing them, as well as being photographing with them, especially when the subject is a little dog and even more importantly, when it’s an elderly or injured dog that doesn’t enjoy being picked up.
This was the case with Jake the 17-year-old Jack Russell here. Lucky, his parents were cool with lying on their bellies to shuffle up either side of the little guy. I often just ask people to look at their dog while I am photographing them, even if they’ve specifically asked for “posed portraits” as this often encourages more interaction and natural expressions.
When photographing two subjects or more, it also helps to increase the depth of field a little, or take multiple images focusing on different group members to allow for head swaps later. No head swaps required here though.
Canon EOS 5D Mark II, Canon EF 70-200mm f/2.8L @ 70mm, ISO 800, 1/500 sec, f/4.5
When working with dogs that are fearful with new people but have a solid, trusting relationship with their owners, capturing “dog and owner” shots while hanging back and zooming in with a long lens can be a great way to give the dog some much-needed space.
It’s actually a good piece of advice for working with fearful dogs in general, but often having their owner close by can help them relax even more and encourages them to exhibit the kinds of behaviour and expressions their owner is used to seeing at home.
Fearghal the Irish Wolfhound wasn’t too keen on being up close to the camera but adored his mum, so I encouraged them to hang out together and interact so I could create some really sweet dog and owner shots that she loved.
Canon EOS 1D X, Canon EF 70-200mm f/2.8L IS II @ 165mm, ISO 640, 1/800 sec, f/2.8
Especially when shooting in urban areas, use your surroundings to frame and feature dog and owner relationships. This beautiful church doorway creates the perfect frame for Hugo the Great Dane and his mum Sarah, and their elegant poses help to accentuate that classy feel. Finally, the connection between them created through touch and line of sight finish the shot beautifully.
This is one of my all-time favourite dog and owner shots I’ve taken. Partly due perhaps to the fact that it reminds me of my gorgeous gal, Luna.
Canon EOS 5D Mark II, Canon EF 70-200mm f/2.8L @ 75mm, ISO 1600, 1/500 sec, f/2.8
I can’t emphasise enough, how important it is with pets and people to capture natural interactions, expressions and poses. Asking people to pose and micro-managing where their hands or arms are, or where exactly they are looking, often ends up in fake, awkward looking poses and non-genuine expressions.
The best thing you can do is pick a spot that has pretty lighting, a nice background, then ask people to sit there with their pet. Tell them they don’t need to look at the camera, in fact, no need to even face the camera! And to just talk to their dog, ask for kisses, perhaps keep them engaged with treats - anything to encourage interaction.
And often, you end up with just that. Genuine, real interactions that really capture their relationship. Just beautiful!
Canon EOS 1D X, Canon EF 70-200mm f/2.8L @ 140mm, ISO 500, 1/800 sec, f/2.8
Shooting from a long way back and zooming in with a telephoto lens is a great way to include the surroundings, while reducing the pressure on people to “pose”. I often send them off for a walk - saying to walk up to a certain point and then walk back again towards me - and I just hang back and snap candids as they’re walking.
People often forget I am there and act naturally, talking and laughing with each other privately, while their dogs just hang out with them. The “walk up and back” is a great technique to use for capturing candids!
Canon EOS 1D X, Canon EF 70-200mm f/2.8L @ 90mm, ISO 800, 1/500 sec, f/2.8
For posed portraits (which people do sometimes request), if you are working with dogs of different sizes, try to bring the larger dog down to the smaller dog’s level, and bring any people in the shot down as well. Keeping faces close together will give the image cohesion and create a connection - essential if everyone is looking at the camera instead of at each other.
Long lenses are your friend here as they isolate your group against the background. Increasing the depth of field slightly helps keep everyone in focus. Always face your subjects out into the light source, which if you are shooting in the shade or with backlight, is a wide open sky - sometimes it’s easier to remember to face them OUT from “sources of shade” - which in this case is the forest behind.
The crazy noises you’ll be making to get the dog’s attention often have the side effect of making the owner smile and laugh as well, which gives much more genuine expressions.
Canon EOS 1D X, Canon EF 70-200mm f/2.8L @ 160mm, ISO 2000, 1/500 sec, f/4
If you’re finished taking a group shot with a long lens to capture natural interactions, ask them to stay where they are while you switch to a wide lens and get up closer.
While it’s nearly impossible to get everyone in the group in focus up close with a wide angle lens and a big aperture, embrace the shallow depth of field, focusing on just one group member, with the others in the background out of focus. Move around and do this with each group member in turn, to create a collection of alternative family portraits, great for extra shots for an album.
Canon EOS 1D X, Canon EF 24-70mm f/2.8L II @ 44mm, ISO 500, 1/800 sec, f/2.8
Silhouettes are one of my favourite ways to incorporate owners into the session, without placing too much pressure on them. I like to explain to them that silhouettes will only show their outline - they’ll be completely black in the image - so this takes the pressure off them somewhat as many people hate being in front of the camera as they feel pressured to smile or look a certain way!
With silhouettes, ensure the owners and dogs are not standing in front of each other. Space them out so that clear sky can be seen all around their outlines. Also, try to position the dogs so they are side-on to the camera and looking to the side as well, so their side profiles can be seen rather than just a head blob with ears!
It should be possible to pick the breeds of these two dogs, without even seeing their colours or features. What do you think their breeds are?
Canon EOS 5D Mark II, Canon EF 70-200mm f/2.8L @ 155mm, ISO 400, 1/800 sec, f/2.8
When shooting for a client and they’ve indicated they’d like to be involved in some of the photos, but aren’t a fan of photos of themselves, find creative ways to incorporate them without focusing on their face or making them pose awkwardly. One way to is focus on other body parts such as hands, showing their relationship through how they interact with their dog.
Canon EOS 1D X, Canon EOS 70-200mm f/2.8L @ 140mm, ISO 800, 1/500 sec, f/5
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